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scarecrowartist:

perpetualcombustioninstruction:

revereche:

bogleech:

elvenrainbow:

shitsuren-chama:

ocean-child-love:

kaibas-paragraphical-mind:

what-is-a-homestuck:

WHAT IS THE FUCKING POINT

YOU COULD BE A FUCKING BADASS DRAGON THAT’S THE POINT

"I AM A CREATURE OF DARKNESS" "oh hey sabrina."

I guess the point is that you could shapeshift into the body you always thought you’d grow into when you were a kid

taller, shorter, slimmer, more muscular, purple hair, tattoos everywhere, tattoos nowhere, 

every single shoe would fit you every single time you tried it on, every single article of clothing would fit your perfectly, all you have to do is transform slightly, you’d never run out of ‘your size’ again

and you wouldn’t have to work for it at all, and you’d never be limitted by your bone structure or something. You could just transform at will.

I don’t see how this is much of a downside

When you turn into a sixty story tentacle demon and terrorize a city you want to get the credit you deserve

Oh man that would be so sweet. I could be an annoying fuck as an insect or something but you couldn’t kill me because everyone would know

That’s great but have you considered

~cosplay

~Halloween costumes

~acting

~cosplay

~stretching to reach stuff and shrinking to fit through spaces

~cosplay

~cosplay

~COSPLAY

I require this button for cosplay purposes.

(Source: homestackers)

8bitatoms:

phoenixfire-thewizardgoddess:

sevvey6:

morbidamusement:

captain-snark:

bananamerlin:

maderadearquitecto:

Thermochromic table by Jay Watson

imagine banging someone on that table

imagine being home alone and seeing imprints on that table

noooooo stop

Imagine having a friend sit at that table for a long while, but when they get up there’s no imprints at all.

What if you got up after trying to console a crying friend, and found that you had no imprints… and they were crying because they missed you?

aaaah it was a cool table now it’s a horror/drama story

(Source: rialxoan)

art-of-swords:

Two-hand Sword for the Field
Dated: partly circa 1520-30
Culture: German
Measurements: overall length 180 cm. Blade length 132 cm
The strong double-edged blade of flattened hexagonal section is cut with a shallow fuller at the forte and with additional short fullers over the sides of the ricasso. They are formed with a pair of basal lugs, struck with a mark, a flower, both within the fuller and at the base of the lugs on both sides.
The later iron hilt of writhen bars, has straight massive quillons with double inner-and outer-rings, the former with chiselled knop terminals and the latter each interrupted by chiselled mouldings. The sword features a large spirally fluted globular pommel and leather-covered grip formed in two moulded stages.

Source: Copyright © 2014 Hermann Historica
Zoom Info
art-of-swords:

Two-hand Sword for the Field
Dated: partly circa 1520-30
Culture: German
Measurements: overall length 180 cm. Blade length 132 cm
The strong double-edged blade of flattened hexagonal section is cut with a shallow fuller at the forte and with additional short fullers over the sides of the ricasso. They are formed with a pair of basal lugs, struck with a mark, a flower, both within the fuller and at the base of the lugs on both sides.
The later iron hilt of writhen bars, has straight massive quillons with double inner-and outer-rings, the former with chiselled knop terminals and the latter each interrupted by chiselled mouldings. The sword features a large spirally fluted globular pommel and leather-covered grip formed in two moulded stages.

Source: Copyright © 2014 Hermann Historica
Zoom Info
art-of-swords:

Two-hand Sword for the Field
Dated: partly circa 1520-30
Culture: German
Measurements: overall length 180 cm. Blade length 132 cm
The strong double-edged blade of flattened hexagonal section is cut with a shallow fuller at the forte and with additional short fullers over the sides of the ricasso. They are formed with a pair of basal lugs, struck with a mark, a flower, both within the fuller and at the base of the lugs on both sides.
The later iron hilt of writhen bars, has straight massive quillons with double inner-and outer-rings, the former with chiselled knop terminals and the latter each interrupted by chiselled mouldings. The sword features a large spirally fluted globular pommel and leather-covered grip formed in two moulded stages.

Source: Copyright © 2014 Hermann Historica
Zoom Info
art-of-swords:

Two-hand Sword for the Field
Dated: partly circa 1520-30
Culture: German
Measurements: overall length 180 cm. Blade length 132 cm
The strong double-edged blade of flattened hexagonal section is cut with a shallow fuller at the forte and with additional short fullers over the sides of the ricasso. They are formed with a pair of basal lugs, struck with a mark, a flower, both within the fuller and at the base of the lugs on both sides.
The later iron hilt of writhen bars, has straight massive quillons with double inner-and outer-rings, the former with chiselled knop terminals and the latter each interrupted by chiselled mouldings. The sword features a large spirally fluted globular pommel and leather-covered grip formed in two moulded stages.

Source: Copyright © 2014 Hermann Historica
Zoom Info
art-of-swords:

Two-hand Sword for the Field
Dated: partly circa 1520-30
Culture: German
Measurements: overall length 180 cm. Blade length 132 cm
The strong double-edged blade of flattened hexagonal section is cut with a shallow fuller at the forte and with additional short fullers over the sides of the ricasso. They are formed with a pair of basal lugs, struck with a mark, a flower, both within the fuller and at the base of the lugs on both sides.
The later iron hilt of writhen bars, has straight massive quillons with double inner-and outer-rings, the former with chiselled knop terminals and the latter each interrupted by chiselled mouldings. The sword features a large spirally fluted globular pommel and leather-covered grip formed in two moulded stages.

Source: Copyright © 2014 Hermann Historica
Zoom Info
art-of-swords:

Two-hand Sword for the Field
Dated: partly circa 1520-30
Culture: German
Measurements: overall length 180 cm. Blade length 132 cm
The strong double-edged blade of flattened hexagonal section is cut with a shallow fuller at the forte and with additional short fullers over the sides of the ricasso. They are formed with a pair of basal lugs, struck with a mark, a flower, both within the fuller and at the base of the lugs on both sides.
The later iron hilt of writhen bars, has straight massive quillons with double inner-and outer-rings, the former with chiselled knop terminals and the latter each interrupted by chiselled mouldings. The sword features a large spirally fluted globular pommel and leather-covered grip formed in two moulded stages.

Source: Copyright © 2014 Hermann Historica
Zoom Info

art-of-swords:

Two-hand Sword for the Field

  • Dated: partly circa 1520-30
  • Culture: German
  • Measurements: overall length 180 cm. Blade length 132 cm

The strong double-edged blade of flattened hexagonal section is cut with a shallow fuller at the forte and with additional short fullers over the sides of the ricasso. They are formed with a pair of basal lugs, struck with a mark, a flower, both within the fuller and at the base of the lugs on both sides.

The later iron hilt of writhen bars, has straight massive quillons with double inner-and outer-rings, the former with chiselled knop terminals and the latter each interrupted by chiselled mouldings. The sword features a large spirally fluted globular pommel and leather-covered grip formed in two moulded stages.

Source: Copyright © 2014 Hermann Historica

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